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“Families, cotton candy, Coke, children, barkers, side shows, women snake charmers & sword swallowers, tent circus, parade, audience, clowns, animals, elephants, Emmett Kelly, Betty Rich Queen of the Air, trapeze artists, aerobats, bareback riders, trained horses, tigers, Clyde Beatty, GREAT FILM!”
NEW VERSION with improved video & sound:
Public domain film from the Library of Congress Prelinger Archive, slightly cropped to remove uneven edges, with the aspect ratio corrected, and mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
A circus is commonly a travelling company of performers that may include clowns, acrobats, trained animals, trapeze acts, musicians, hoopers, tightrope walkers, jugglers, unicyclists and other stunt-oriented artists. The word also describes the performance that they give, which is usually a series of acts choreographed to music and introduced by a ringmaster. A traditional circus performance is normally held in a ring 13 m (42 ft) in diameter. This dimension was adopted by Philip Astley to enable a horse rider to stand upright on a cantering horse to perform a series of acrobatic maneuvers and to more easily retain their balance. Most modern circuses have a system of tiered seating around the ring for the public and since the late 19th early 20th century the performance has taken place under canvas and more recently plastic tents commonly called “The Big Top.”
…n 1825 Joshuah Purdy Brown was the first circus owner to use a large canvas tent for the circus performance. Circus pioneer Dan Rice was probably the most famous circus and clown pre-Civil War, popularizing such expressions as “The One-Horse Show” and “Hey, Rube!”. The American circus was revolutionized by P. T. Barnum and William Cameron Coup, who launched P. T. Barnum’s Museum, Menagerie & Circus, a travelling combination of animal and human oddities, the exhibition of humans as a freak show or sideshow was thus an American invention. Coup was also the first circus entrepreneur to use circus trains to transport the circus from town to town; a practice that continues today and introduced the first multiple ringed circuses.
In 1840 the equestrian Thomas Cooke returned to England from the United States, bringing with him a circus tent. At this time, itinerant circuses were becoming popular in Britain. William Batty’s circus, for example, between 1838 and 1840, travelled from Newcastle to Edinburgh and then to Portsmouth and Southhampton. Pablo Fanque, who is noteworthy as Britain’s only black circus proprietor and who operated one of the most celebrated travelling circuses in Victorian England, erected temporary structures for his limited engagements or retrofitted existing structures. One such structure in Leeds, which Fanque assumed from a departing circus, collapsed, resulting in minor injuries to many but the death of Fanque’s wife. Three important circus innovators were Italian Giuseppe Chiarini, and Frenchmen Louis Soullier and Jacques Tourniaire, whose early travelling circuses introduced the circus to Latin America, Australia, South East Asia, China, South Africa and Russia. Soullier was the first circus owner to introduce Chinese acrobatics to the European circus when he returned from his travels in 1866 and Tourniaire was the first to introduce the performing art to Ranga where it became extremely popular.
Following Barnum’s death his circus merged with that of James Anthony Bailey, and travelled to Europe as The Barnum & Bailey Greatest Show On Earth where it toured from 1897 to 1902, impressing other circus owners with its large scale, its touring techniques including the tent and circus train and the combination of circus acts, zoological exhibition and the freak show. This format was adopted by European circuses at the turn of the 20th century…
